Fractures well cured make us more strong. [“Repentance” by George Herbert.]

BY: Scott Eric Alt • February 27, 2023 • Literature; Liturgical Year

 

Mis­erere me, Domine—“Have mer­cy on me, O Lord”; that’s the 51st psalm. If you pray the tra­di­tion­al Litur­gy of the Hours, you pray it every morn­ing at Lauds. You begin every day with repen­tance, as you begin every Mass with repen­tance. “Have mer­cy on me, O Lord, for I have sinned.” It is good for those to be the first words you say each day. In that spir­it George Her­bert begins his poem: “Lord, I con­fesse my sinne is great.” Before a Catholic becomes a full mem­ber of the Church, the first thing he or she does is go to Con­fes­sion. Repen­tance is first; the Church’s read­ings for the first Sun­day of Lent, Year A—the first of the three-year cycle—begin with the reminder that we all have sinned in Adam. Repen­tance is first.

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Wilt thou forgive that sin which I did shun a year or two, but wallowed in a score?

BY: Scott Eric Alt • February 22, 2023 • Literature; Liturgical Year; Sacraments

 

It is weari­some to need to go to con­fes­sion every week, week after week, but it is more weari­some to go once a year, even once every sev­er­al years. I don’t know why I have often cho­sen the lat­ter. The sins pile up like laun­dry you stare at in denial. That’s my prob­lem this Ash Wednes­day: soiled clothes. Maybe it’s my prob­lem every Ash Wednes­day. Ten Lents ago, when it was my first year blog­ging, I spent a litur­gi­cal sea­son writ­ing about the Vic­to­ri­an poet Christi­na Ros­set­ti. I’ve not done that kind of thing since, so per­haps it’s time again. This year I’m going to talk about John Donne—with a break one week for George Her­bert and anoth­er week for Ger­ard Man­ley Hop­kins.

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Catholic professor Tony Esolen & Catholic apologist Karl Keating say black female poets are inferior.

BY: Scott Eric Alt • April 14, 2022 • Literature

 

It all start­ed because Prof. Esolen, liv­ing in the pure wilds of New Hamp­shire, peered out the win­dow of his study long enough to con­tem­plate the decline of West­ern civ­i­liza­tion and work him­self into a pique. This time he was upset about Maya Angelou’s black coun­te­nance star­ing at him from a quar­ter, and he got on Face­book and wrote: “I hear that Maya Angelou (nee Mar­guerite John­son) will be grac­ing the US quar­ter — or one such, such as we’ve done with the states, and oth­er things. It’s fit­ting, I guess, because nei­ther the quar­ter nor her poems are worth two bits. All’s polit­i­cal, and all’s slo­ga­neer­ing.”

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Is the novel Protestant? A reply to Joseph Bottum.

BY: Scott Eric Alt • March 8, 2015 • Literature

 

Of all things in lit­er­a­ture, the one that is the most futile and impos­si­ble to gen­er­al­ize about is the nov­el. There are no lim­its to its form: That is a mark of its strength. No one can agree even on when the nov­el began; the stan­dard nar­ra­tive is that the first nov­el was Robin­son Cru­soe (1719), but that’s more a myth of con­ve­nience — and cul­tur­al chau­vin­ism — than any­thing else. What about the 11th cen­tu­ry Japan­ese Tale of Gen­ji? The 12th cen­tu­ry Ara­bic Hayy ibn Yaqd­han? The “Four Great Clas­si­cal Nov­els” of the Ming and Qing dynas­ties?

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On Harper Lee’s new book: Should To Kill a Mockingbird have a sequel?

BY: Scott Eric Alt • February 4, 2015 • Literature

 

Go Set a Watch­man may not exact­ly make Harp­er Lee look like a “fool.” That might be the self-doubt of a reclu­sive author talk­ing, or the jad­ed­ness of a pub­lic that has learned to take a low view of sequels. I sus­pect that Lee was unwill­ing to pub­lish any­thing after Mock­ing­bird for two rea­sons: (1) she was, as she once said, more like Boo Radley than Scout Finch, and pub­lic atten­tion did not suit her; (2) she knew that noth­ing else she ever wrote, how­ev­er good, would be To Kill a Mock­ing­bird. She was pub­lic­i­ty shy and wrote a book that is just impos­si­ble to match.

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That life exists and identity: Thoughts on Robin Williams and depression.

BY: Scott Eric Alt • August 18, 2014 • Catholicism & Culture; In the News; Literature

 

The pow­er­ful wit­ness in all of this, in depres­sion, in sui­cide, in loss, in unbear­able con­fu­sion and grief and pain, is the wit­ness of life. That life exists. That you are here, and that it mat­ters. The great hor­ror and pain of depres­sion is that it robs you of any sense of self and iden­ti­ty. And that may be why, in a cru­el irony, some seek relief from it in self-anni­hi­la­tion. But they val­ue their life, and they do not want it to end. They only want the pain to end. But one of the great joys of recov­ery from depres­sion is the joy of dis­cov­er­ing iden­ti­ty again, and who you are.

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Writing negative reviews: A defense.

BY: Scott Eric Alt • February 27, 2014 • Book Review; Literature

 

Crit­i­cism would be poor­er with­out this gem from Dorothy Park­er: “This is not a book to be tossed aside light­ly. It should be hurled with great force.” Or this one from Mark Twain: “Every time I read Pride and Prej­u­dice I want to dig her up and hit her over the skull with her own shin bone.” One admires the pas­sion in those sen­tences, the evi­dence of a read­er who loves good books so much that bad books are an intol­er­a­ble offense. If I hate a book, Francine Prose says, “life is too short not to say so.” A crit­ic who is will­ing to write a neg­a­tive review is a crit­ic read­ers will trust when he writes a pos­i­tive one.

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On the rippers of Isabel Allende; or, how the culture of offense ruins literary discussion.

BY: Scott Eric Alt • February 17, 2014 • Literature

 

What Allende describes is the kind of thing that has gone on in lit­er­a­ture for a very long time. Don Quixote, arguably the first nov­el, was a send-up of medieval romance. Jane Austen had good fun with Goth­ic hor­ror in Northang­er Abbey. And the exam­ples could be mul­ti­plied, from Alexan­der Pope’s The Rape of the Lock (a mock hero­ic) to John Barth’s The Sot-Weed Fac­tor (a par­o­dy of the 18th cen­tu­ry bil­dungsro­man). But when Allende does this com­mon thing, the lovers of the crime genre are OUTRAGED and want us all to know.

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Seven more books that changed my life: 7QT VI, seriatim.

BY: Scott Eric Alt • November 16, 2013 • Literature; Seven Quick Takes

 

As I am work­ing on some posts that are tak­ing a very long time to write, and since my last post on books turned out to be very pop­u­lar, I thought I would fol­low it up with a sequel — though this will end up being the only such. This list was much hard­er to come up with than the pre­vi­ous one. When you’re talk­ing about books that changed your life, that’s a strict stan­dard; and a total of four­teen — even after half a life­time of read­ing — is dif­fi­cult to con­ceive. But here the oth­er sev­en are. They run the gamut from Dante to G.K. Chester­ton to Philip Roth.

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Seven books that changed my life: 7QT V, seriatim.

BY: Scott Eric Alt • November 9, 2013 • Literature; Seven Quick Takes

 

The French nov­el­ist Jean Malaquais once said, “The only time I know some­thing is true is the moment I dis­cov­er it in the act of writ­ing.” As it hap­pens, Malaquais was a Com­mu­nist; which makes me ques­tion the truth of the obser­va­tion. I don’t know whether the state­ment becomes any more or less accu­rate if I change it this way: “The only time I know some­thing is true is the moment I dis­cov­er it in the act of read­ing.” I like the thought, even if the truth may be less than pris­tine. I sus­pect — or at least I hope very earnest­ly — that there will be libraries in heav­en.

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The best writing advice I ever got & other quick takes: 7QT III, seriatim.

BY: Scott Eric Alt • October 26, 2013 • Blogging & Writing; Literature; Seven Quick Takes

 

The only thing I know about writ­ing is this: that you have to work hard at writ­ing the kind of stuff you want to write. It does no good, if you want to write 700 page nov­els, to lis­ten to oth­ers tell you that peo­ple only read short sto­ries any­more. Don’t lis­ten to them; if you’re not com­ing up with short sto­ries, you’re not a short sto­ry writer, and the quick­est way to stop writ­ing is to spend years try­ing to learn how to write some­thing you don’t have it in you to write in the first place. Write the 700 page nov­el. Learn how to do that. Read 700-page nov­els and learn how they work.

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Twelfth Night: We await in joyful hope.

BY: Scott Eric Alt • January 5, 2013 • Literature; Liturgical Year

 

Today is Twelfth Night. I love vig­ils of any kind the Church gives us, but this one may be my favorite apart from the East­er Vig­il. In an impor­tant way each is like the oth­er: At the East­er Vig­il we wait for Res­ur­rec­tion — Christ come back to us from the tomb; on Twelfth Night we wait for Incar­na­tion — Christ come to us in the manger and adored by wise men. Christ­mas begins in Nativ­i­ty and cul­mi­nates in Epiphany. We wait for Christ, and we wait, and fol­low, and at last we behold Him, born or risen. We await in joy­ful hope. For tomor­row is Epiphany.

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