pril is the cruellest month, mixing memory and desire.
People who follow me will know I lost my daughter sixteen years ago to a stillbirth. That was on April 18, which is soon—the day after Easter this year. It’s weighing on my heart.
I was going to write about J.D. Flynn’s softball interview with Lauren Handy but I find I can’t write it. I’d have to watch video and see pictures to give it the critical response that it deserves, and I don’t have it in me to do that.
Which makes it good that Mary Pezzulo has. She watched the painful thing so I would not have to. Her article is very good, as all her articles are. She says what I would have said, and maybe better:
Meanwhile I have seen many, many people whose birth trauma or traumatic memories of abortion were triggered by the photos and videos the past several days, leading to terrible suffering.
I have seen many, many pro-choice people more convinced than ever that pro-lifers are ghoulish and insane.
I have seen no minds or hearts changed. None at all.
Graphic and disturbing attention-seeking media circuses don’t change people’s minds about abortion. If they did, they would have by now. We’ve had many. They don’t work.
Also on Twitter, Marissa Nichols points out that, not only was Lauren Handy’s stunt disrespectful to the bodies of the babies involved, but that it works against the aim she claims to want to achieve. The hashtag #JusticeForTheFive has emerged, but Handy is “not a forensic pathologist and essentially tampered with evidence.”
That’s important. The condition of those five bodies may have been altered—whether intentionally or inadvertently—from their original condition and nothing can now be proven by them. Nothing is admissible in court.
Nichols’ last point in her tweet also bears mention. Stunts like Handy’s are “reductive of the issue as one woman’s attempt to emote with triggering graphic images.”
Abortion is an evil, but it is a complicated evil and the evil of it can’t be reduced to a triggering image or video. Nor can the myriad of complicated reasons that women who have abortions seek them in the first place. Stunts and theater and shock images oversimplify the complexities and belittle the real persons involved in them.
A personal note: When you engage in stunts involving pictures and videos of dead babies, you’re playing with the emotions of more than just people who have had abortions or who defend abortion, but with parents who wanted their children and will never get over that grief. That persuades no one except the already persuaded, and turns people against you and your cause.
I have a fuller post about the evil of exploiting the dead here.
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